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Piece commissioned by Pulsar, the
Chilean music awards. Developed entirely in cast bronze,
this object originates from the
interpretation of concepts related
to musical composition, specifically
sound oscillation.
As a formal and
constructive complement, we have looked to the Mapuche world and its relationship with geometry. To
this end, we considered some of the
formal features present in Mapuche
silverwork, specifically in the shapes and contours. These formal
features are built from simple pure
geometries but intelligently integrate an oscillating and imperfect line. In
this way, we took this formal logic and
integrated it into the geometries that
construct this object.
I’m an industrial designer graduated from Universidad Diego Portales and currently
based in Santiago, Chile. My work lies at the intersection of conceptual
thinking—an observation of something—and functionality. There is a concern
that the results, through details, are synthetic: that they respond to a
simple, straightforward formal language that is open to interpretation but
effectively meets its functional objectives. If you want to collaborate on a project, contactandro@androyurac.com